Slasher Studios: Top Five Favorite Scream Queens

On this week’s episode of Slasher Studios, we talked about our favorite Scream Queens/Final Girls. These are the women of horror who slashed up the screen and slashed up our hearts. The best of the best of horror heroines. Below is our list of favorite Scream Queens!

If you missed the show click on the link below to listen to an archive:

http://www.blogtalkradio.com/slasherstudios/2011/07/18/slasher-studios-final-girls-and-scream-queens

5. Jamie Lee Curtis

Curtis’s film debut occurred in the 1978 horror film “Halloween”, in which she played the role of Laurie Strode. The film was a major success and was considered the highest grossing independent film of its time, earning accolades as a classic horror film. Curtis was subsequently cast in several horror films, garnering her the title, “scream queen”.

Her next film was the horror film, The Fog, which was helmed by Halloween director John Carpenter. The film opened in February 1980 to mixed reviews but strong box office, further cementing Curtis as a horror film starlet. Her next film, “Prom Night”, was a low-budget Canadian slasher film released in July 1980. The film, for which she earned a Genie Award nomination for Best Performance by a Foreign Actress, was similar in style to Halloween, yet received negative reviews which marked it as a disposable entry in the then-popular “slasher film” genre.

That year, Curtis also starred in “Terror Train”, which opened in October and met with a negative reviews akin to Prom Night. Both films performed only moderately well at the box office. Curtis had a similar function in both films – the main character whose friends are murdered, and is practically the only protagonist to survive. Film critic Roger Ebert, who had given negative reviews to all three of Curtis’ 1980 films, said that Curtis “is to the current horror film glut what Christopher Lee was to the last horror movie glut-or Boris Karloff was in the 1930s”. Curtis later appeared in “Halloween II”, “Halloween H20: 20 Years Later” and “Halloween: Resurrection”, as well as giving an uncredited voice role in “Halloween III: Season of the Witch”.

4. Adrienne Barbeau

The ever enchanting Adrienne Barbeau is best known among horror fans as one of the original Scream Queens. She is one of the few actresses who is not afraid to attack each role with gusto. From Stevie Wayne, the beautiful, gravelly voiced DJ in John Carperter’s “The Fog” to the biggest bitch of in all horror anthologies, Wilma Northrup, in George Romero’s “Creepshow”; there is simply nothing that Barbeau can’t do. She has worked with some of the greats of the genre, including the aforementioned Carperter and Romero, she has also appeared as Alice Cable in Wes Craven’s underrated classic “Swamp Thing”. More recently she appearing in one of the best direct to video horror films Slasher Studios has ever seen, “The Convent”. A mix of “Evil Dead” and “Night of the Demons”, “The Convent” is a hoot and a must see for every genre fan. If you haven’t seen it yet, go over to Amazon and order your copy now. You won’t be disappointed.

3. Danielle Harris

Danielle Harris is, and has always been, one of my favorite “Scream Queens”. She has shown a dedication to the genre ever since she was a child. She has appeared in over two dozen horror movies, four of them in the “Halloween” series: “Halloween 4: The Return of Michael Myers” and “Halloween 5: The Revenge of Michael Myers” as Jamie Lloyd and Rob Zombie’s remakes “Halloween” and “Halloween II” as Annie Brackett. In 1988, she auditioned and was chosen (beating out Melissa Joan Hart) for the part of Jamie Lloyd, Michael Myers’s niece, in the movie “Halloween 4: The Return of Michael Myers”. Just one year later, she would reprise the role in “Halloween 5: The Revenge of Michael Myers”. The character of Jamie returned in 1995 for “Halloween: The Curse of Michael Myers” but Harris did not participate due to disagreements regarding the changes to her character on the script. After seeing the final film, at least part of me is glad that she didn’t participate.

Harris would later return to the franchise in a much different role, that of Annie Brackett, in Rob Zombie’s “Halloween”, a 2007 reboot of John Carpenter’s classic 1978 original. In this film, she had nudity for a sex scene and her encounter with the dangerous Michael Myers, a career first. She stated “[It] is something that I wanted to do because everyone’s like, ‘Oh, she’s little Jamie. She’s 14.’ And it’s like, no, actually, I’m 30. It’s something that I’ve never done before.” She reprised her role in Zombie’s sorely underrated “Halloween II”.

2. Neve Campbell

Campbell’s first widely released film was the fun, “witchy” horror movie “The Craft”. She then got the role of her career. A role that would change her life as a Scream Queen forever. She was offered the leading role in “Scream”, directed by horror master Wes Craven. In the film, she plays Sidney Prescott who receives threatening phone calls from a killer with, who is obsessed with scary movies, on the anniversary of her mother’s death. Campbell stated that she “adored” the character saying “She’s a fantastic character for any kind of movie.” Sidney is depicted as an intelligent, resourceful young woman who slowly becomes stronger as she attempts to overcome the threats and deaths around her.

The film was a huge success, earning over $173 million at the worldwide box office, and winning critical acclaim. Campbell’s role as Sidney Prescott has received significant critical praise throughout the series, earning her the title of “Scream Queen in the 1990s”. Campbell won the Saturn Award for Best Actress for her role in “Scream”. She also received two Blockbuster Entertainment Awards for Favorite Actress – Horror, for “Scream 2″ and “Scream 3″. The film was followed by two sequels, both of which were also hugely successful, with “Scream 2″ earning over $170 million and “Scream 3″ earning over $160 million. Campbell won the MTV Movie Award for Best Female Performance for “Scream 2″. Roger Ebert, in his review of “Scream 3″, wrote of Campbell, “The camera loves her. She could become a really big star and then giggle at clips from this film at her AFI tribute”. In 2011, she reprised her role as Sidney Prescott in the wonderful “Scream 4″.

1. Heather Langenkamp

Heather Langenkamp wasn’t always a horror fan and admits that before she was cast in the role that would change her life that she had never seen a horror film. Funny that now, nearly 30 years later, the actress is remembered as one of the greatest horror Scream Queens of all time.

While she was studying at Stanford University, Wes Craven cast her as teen heroine Nancy Thompson in the original “A Nightmare on Elm Street” as he wanted someone very “girl next door” to play Nancy. He believed that Langenkamp met this quality. For the part, she beat out over 100 actresses. The film, follows the story of a group of teenagers who are killed in their dreams one-by-one by a past child murderer turned supernatural serial killer, whom their parents killed. The film was continued the 80′s slasher movie craze, following the trend set by “Halloween” and “Friday the 13th”.
The film introduced the iconic villain Freddy Krueger, played by Robert Englund. Nancy, as the film’s protagonist, lives, and defeats Krueger after he has killed all of her friends. Johnny Depp, in his feature film debut played Nancy Thompson’s boyfriend, Glen. Veteran film actor John Saxon played Nancy’s father, police lieutenant Donald Thompson. The film was both a critical and commercial success, earning a total of $25 million at the American box office. In 1985, she received the Best Actress Award at the Avoriaz Film Festival for this role. She also became one of the original scream queens and final girls.

She continued her role as Nancy in “A Nightmare on Elm Street 3: Dream Warriors”, in which she co-starred alongside Patricia Arquette and Laurence Fishburne, and “Wes Craven’s New Nightmare”, in which she played herself, and through events in the narrative, she is compelled to reprise her role as Nancy Thompson. John Saxon also returned with Langenkamp in “Dream Warriors” and “New Nightmare”. “A Nightmare on Elm Street 3: Dream Warriors” earned nearly $45 million at the domestic box office, making it both the highest grossing film for the studio that year. “Wes Craven’s New Nightmare” earned $18 million at the U.S. box office. The three films in the series in which Langenkamp stars are considered the three best due to their critical reception. As Craven write on the script that Langenkamp reads from, “Thank you for having the guts to play Nancy once last time”, the horror world couldn’t agree more.

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Slasher Studios: The Best Horror Documentaries Ever Made

On this week’s show, Kevin Sommerfield will be talking about his favorite horror documentaries. Make sure to listen in and also call in to discuss with Kevin your favorite horror documentaries and to discuss what makes a good horror documentary. Tonight at 10PM central! Click on the link below to listen in live or to listen to one of our past shows.

http://www.blogtalkradio.com/slasherstudios/2011/07/04/slasher-studios-the-best-horror-documentaries-ever-made

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I Want to Make a Horror Movie!

The following is a list of guidelines that one should look at when trying to make a successful horror movie. I thought this was a pretty solid list with a lot of good ideas for independent horror filmmakers. The following list is a combination of Mary Hallberg’s list from the Hattiesburg Horror Movie Examiner and Screen Crave.com for the second half of the list. A big thank you to both websites for sharing! While the list does seem basic, I do think that this is going to help out some filmmakers working on their first scripts. Are there any others that you feel is missing from the list?

*Have interesting characters. Movies (and stories in general) are about people, not events. Sure, picking stupid teenagers off one by one works, but only for awhile. If you want to do something revolutionary in modern filmmaking, convince your audience to actually (gasp) care about the characters.

The interesting characters rule does not apply to villains. When introducing us to the villain, less is more. Did he suffer a terrible childhood filled with abuse and poverty? Leave it out. The less your audience knows about the villain, the less likely they are to sympathize with them. Sympathy isn’t very scary.

*Create suspense. Even if you plan to show the monster in the end, make the audience wait for it. Sometimes not seeing something is even creepier than actually seeing it.

*Don’t stress about budget. Some of the most well-known horror films have been low budget sleeper hits. Unless you’re remaking Lord of the Rings, you can make do with a smaller budget. See: Insidious, Saw, Paranormal Activity, The Blair Witch Project, John Carpenter’s Halloween

*Don’t take your movie too seriously. Some of the best horror movies are the ones that try to be scary but end up being campy. You’re in the business of entertainment and if you’re not entertained yourself, your audience probably won’t be either. Have fun with it! Plenty of people would kill to be in your position. Well, not literally.

*Have a great score. A good horror movie isn’t a good horror movie without a good original score. We’re talking about music that adds depth of feeling, and by depth of feeling we of course mean depth of terror in this case. Classic horror movies like Halloween and Jaws wouldn’t have had near the effect that they did without their music being every bit as scary as what was happening on camera. Sadly, the art of making an original score for a horror movie is being lost as the years go by and the trends change.

*An unstoppable killer. Horror movie killers/slashers must be remorseless. They generally can’t feel sorry for anybody. A killer who feels sorrow humanizes himself, and leaves the audience open to empathize with him, take pity on him, and possibly even understand him. And as we know, the more we understand something, the less we fear it. You want to tell a story about a guy who goes on a murder rampage to avenge the death of his wife? Fine, go for it. But don’t expect people to be frightened by a guy who’s simply standing up for his wife. You want to tell a story about a guy who goes on a murder rampage because his dead grandmother came to him in a dream and ordered him to do so with a sling blade? Now that’s a tad bit creepier.

*Fear. A good horror film takes common fears, exploits them, and acts upon them. So what do people fear? Easy. They fear the dark—create visual imagery that’s ill-defined and shadowy. They fear the unknown—keep certain psychological and physical components hidden. They fear death—keep the body count unpredictable as to who might be next. Knowing what people are afraid of isn’t rocket science, and fears aren’t always rational. Would we have a horror movie (Stephen King’s It) with an alien killer dressed as a clown if a lot of people weren’t at least a little afraid of clowns?

*Blood and gore! Above all, people must die in a horror movie. Remember what we said about exploiting the universal fear of death? And as far as dying goes, a horror movie doesn’t necessarily have to be gory, or gratuitously violent, but a little blood must be split in order to remind the audience that the shit is real, and the stakes are as high as they can be. A character vanishing out of thin air is out of sight, out of mind. We might know he’s dead, but as long as we don’t see him hanging from a tree with his guts spilling out, some part of our brain is still subconsciously suggesting to us that there’s a chance he’s just chilling on a beach in Maui or something.

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Three Horror Films Scare Up 2012 Release Dates

2012 is shaping up to be one of the most “horrific” years in recent member. There are currently 11 horror films with release dates sometime next year. Bloody Disgusting reported today that three more will also be added to the list. Moving from it’s previous February 3 release date, Relativity Media’s House at the End of the Street is now set to bow on April 20. The Mark Tonderai helmed film, which centers on a teen girl (Jennifer Lawrence) who moves with her mom to a new town and learns that their home is across the street from a house where a double murder took place, will now go head to head with Dimension’s Scary Movie 5.

Scary Movie 5 has been rumored to be in preproduction since mid 2006, after its predecessor took in a solid $91 million at the U.S. box office. The Weinstein Company has announced that the next chapter in the Scary Movie franchise will be released in theaters on April 20, 2012. With the series beginning back in 2000 and Scary Movie 4 being released five years ago, a solid fan base will be excited to see what the filmmakers have in store for number 5. With a long list of possible horror movies to spoof in this upcoming film, Scary Movie 5 has much potential. No word yet on casting, but fingers are crossed for the return of Anna Faris and Regina Hall. The two actors have been in all four previous films and have become the faces of the franchise.

Speaking of films stuck in development hell, looks like Dimension is fast-tracking Halloween 3D with a release date of October 26 (finally a Halloween film around Halloween!). Patrick Lussier and Todd Farmer are currently working on the Hellraiser reboot for the Weinsteins. There is no word whether or not they are still on board to make this film as well.

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Rob Zombie Directs Woolite Commercial

The laundry detergent company, Woolite, hired Rob Zombie to create their newest commercial and help spread the word for their new ad campaign: “Don’t let detergents torture your clothes.” It’s a very clear, clever and well made 33 second ad, with what looks to be a decent budget. With the masked man, quick cuts and eerie music, horror fans will be able to tell instantly that Rob Zombie was at the helm during this production. The ad is set to be shown in theaters during this upcoming 4th of July weekend.

http://www.youtube.com/watch?v=-p68u3ZWlDU

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Eli Roth Selects His Fab Five Horror Movies

As writer and director of such films as “Cabin Fever” and “Hostel,” Eli Roth is one of the premiere filmmakers in the industry and a true student of the horror genre. Via Daily News Los Angeles, Slasher Studios is proud to showcase Eli Roth’s five favorite horror films.

“Sleepaway Camp” (1983): Ah, “Sleepaway Camp.” I remember watching this film at a sleepover with Lenny Mead and a bunch of friends in the mid-’80s, and when the movie ended we literally stood up out of our chairs and screamed at the top of our lungs until we ran out of air. I will not say why – and don’t go looking up the spoilers on the Internet because that will take all the fun away. Treat yourself to a wonderful surprise. Director Robert Hiltzik’s film is anything but a by-the-numbers, early ’80s, low-budget slasher flick set at a summer camp. The kills are fun, but the ending simply cannot be topped. Don’t read anything about it, just go rent it, pop it in, and watch your friends freak out. This will be the film you guys talk about for weeks after.

“Troll 2” (1990): In the past few years, this has become the most made-fun-of horror movie for many, many reasons, all of which are documented in the excellent film “Best Worst Movie.” The director, the inimitable Italian maestro Claudio Fragasso, had a script that had nothing to do with trolls, but he could get it financed if he changed the title to “Troll 2.” Fragasso let the financiers change the title but refused to change anything else, and as a result there are many goblins, but not a single troll in the entire film. It will take hours to get through this gem because you’ll keep pausing and replaying the lines over and over.

“Troll 2” is one of the rare sequels where you don’t have to waste time watching the first one, since the films have absolutely nothing to do with one another. It has such a strong cult following, it was recently rereleased on Blu-ray for you to enjoy in all its high-definition glory.

“Creepshow” (1982): George Romero was the king of horror then, having made the classics “Night of the Living Dead” and “Dawn of the Dead,” Stephen King was the scariest author on the planet (and still is, as far as I’m concerned), and Tom Savini had upset nearly every parent in America by creating the goriest makeup effects in the nastiest horror films of the golden era. The three of them teamed up to create an old EC Comics-style scarefest that is “Creepshow.”

The movie, told in five stories, is designed to look like a comic book, but it is creepy. And disgusting. And really, really fun. Plus it’s an anthology so you don’t really have to pay attention, and if you’re not that into the story, a new one will be on in 10 minutes. I watch it now and find myself saying things like, “Look, Ed Harris with hair!” An amazing cast, incredible script, brilliant makeup effects and nonstop fun. A very underrated horror movie that’s a guaranteed good time.

“Zombi 2” (1980): One of those rare sequels that isn’t actually a sequel.

It was just called “Zombi 2” because, in Italy, “Dawn of the Dead” was released under the title “Zombi,” and the producers wanted to trick people into thinking this was the second one, even though the two films have nothing to do with each other. Other than zombies, that is.
“Zombie,” as it’s commonly known in the United States, has grown over time to be one of the most beloved zombie movies, with scenes of gore so spectacular and horrifying they still stand head and shoulders above any zombie movie made since. Lucio Fulci is one of my all-time favorite directors, and whenever I film a particularly gory scene, we all close our eyes and try to channel him for inspiration. “Zombi 2” has the greatest scene ever committed to celluloid, and is actually responsible for the modern movement of zombie films. Nothing comes close to it, which is why the die-hard horror nerds like me wear T-shirts that say “Viva Fulci!” A must-see for any zombie apocalypse fan.

“Pieces” (1982): Watching this film with a crowd is the most fun experience I have ever had watching a movie. I showed it to a packed house at a film festival I held a few years ago, and people had so much fun that, afterward, they were actually depressed they’d never have that good a time at the movies again. This was the movie where on the poster you saw a chain saw, a stitched-up dead girl, and the tagline: “It’s exactly what you think it is.” Some movies don’t exactly live up to their poster. Juan Piquer Simon’s does. But “Pieces” is also one of the craziest, most random and insane slasher films ever made. You think you have it figured out and then the film blindsides you. There are many, many classic scenes, like the infamous tennis match, which has some of the best extras casting in the history of cinema.

“Pieces” truly is my favorite slasher film of all time, and it’s the one movie that never fails to have the audience totally entertained from start to finish. It’s also got an ending to rival “Sleepaway Camp.” I am almost sorry you are going to watch “Pieces” because pretty much any moviegoing experience after will be a letdown.

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A Slasher Studios Look At Hollywood Horror Trends

For those of you who may have missed it on tonight’s Slasher Studios Web Cast, Kevin Sommerfield and Steve Goltz will be discussed the recent trends in Hollywood Horror. We will be talked about the Hollywood 3D craze, slasher vs. supernatural as well as the remake controversy and the PG-13 vs R horror debate. Click on the link below to check out an archive of the show and make sure to tune in next week when we have a FULL LENGTH commentary of the horror film “Trick R Treat”. Same time, Sunday at 10PM central. Stay tuned for more details!


http://www.blogtalkradio.com/slasherstudios

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“Obliquity: Imagery of the Unknown”

We here at Slasher Studios are always excited to hear about other new horror filmmakers and their projects. We are excited to bring you one of those filmmakers today. His name is Anthony Rory Tran and his newest film is the exciting “Obliquity: Imagery of the Unknown”.

The synopsis: “The world has began to change in mysterious ways. For Tiffany Hayes, society has shown selfishness and departure from all things pure; even her own friends don’t seem to understand what she is going through. In a community college, a sleep deprivation study assignment is given to Tiffany so that she can understand her mind on a whole new level. What she begins to see are layers beyond common reality. A new group of students are then given the same assignment after learning what she’s been through to see if she was just a little crazy, or if these forces truly exist. During the 3 days they stay awake, they are exposed to different parts of their mind, and what they discover, is more than they could ever imagine.”

Tran adds, “What is interesting about Obliquity is that I’m including dark experiences faced in my life and the life of people I’ve met. The story stays very down-to-earth, whether it’s the way people talk in the movie, or how the story unravels, the exposure of forces layered unseen will be a breath-taking journey you won’t want to miss being a part of.”

Tran is quite passionate about the project. Here he speaks about what the project means to him:

Below is a link to the teaser trailer of “Obliquity: Imagery of the Unknown”:

We wish Tran and his cast/crew the best of luck with their film and we are excited to see what they come up with next.

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